Scenes are drawn to scale: the sofa is 84 in wide, the desk 60 in, the door 80 in tall. Switch sizes above to compare.
Step 1 — set the scale. Drag the slider until the gold bar on the photo is the height of a standard doorway (80 in / 203 cm). Every size you pick is then drawn true to life.
Step 2 — drag the print to where it would hang, and change size or frame above to compare.
Japanese Woodblock Prints
Ejiri in Suruga Province, c. 1831
Sunshū Ejiri, from Thirty-six Views of Mount Fuji — Katsushika Hokusai
From the Library of Congress, Prints & Photographs Division, Japanese prints collection · 1831
$119Charged in USD at checkout; local currency shown for reference.
Source scan:LOC (Prints & Photographs Division, Japanese prints). Rights statement of the archive: “No known restrictions on publication. Ukiyo-e print by an artist who died before 1930; the impression itself was published before 1930 — public domain in the United States, Japan and the EU.” Original print: Katsushika Hokusai, 1831, 1 print : woodcut, color ; 24.9 x 37.2 cm.. Verified 2026-09-13.
This product is a new archival print made from a restored scan of that print. It is not an original antique and is not sold as one.
The story of this print
Everyone who has walked into a sudden wind knows this print. On the Tokaido road near Ejiri, where the highway crosses open marsh, a gust has just hit a party of travellers: they crouch and clutch their hats, a woman’s bundle of tissue papers explodes into the sky like a flock of birds, a straw hat sails off toward the reeds, and two thin trees bend double. Behind all of it, drawn in a single pale outline, Mount Fuji does not move.
It is the funniest sheet in Thirty-six Views of Mount Fuji and one of the most admired for its drawing: a dozen figures, each caught in a different posture, on a road that curves off into nothing. The palette is spare — grey-green marsh, a blue band of sky, the pale mountain — and the scattered white papers are the only bright thing in it.
The Library of Congress impression is early and has toned to a soft brown; we have kept the tone, cleaned the sheet and restored the line without redrawing. The 2:3 proportion of the sheet fits our 12×18, 16×24, 20×30 and 24×36 sizes exactly.
Printed to order on archival matte paper or canvas, framed in the country of delivery.
Before and after
Left: the archive scan exactly as published. Right: the file that goes to the printer.
Restoration notes
Restoration: trimmed the mount and scanner margins, balanced levels while keeping the paper tone and the flat colour blocks of the woodblock impression (85% of the original colour retained), removed dust and specks, applied gentle sharpening. Toning, wormholes, the printer's registration and the collector's seals are kept where they belong to the object; nothing is redrawn.
Every print carries its archive credit on the packing slip. Paper tone and small imperfections of the original are kept on purpose; nothing is redrawn.
Pairs well with
Hang them together — 10% off the second framed print
Informational purposes only, no warranties, not professional advice. All products are new archival prints made from restored scans of historical maps held by public archives; they are not original antiques. Colours vary by screen and by paper.
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