Scenes are drawn to scale: the sofa is 84 in wide, the desk 60 in, the door 80 in tall. Switch sizes above to compare.
Step 1 — set the scale. Drag the slider until the gold bar on the photo is the height of a standard doorway (80 in / 203 cm). Every size you pick is then drawn true to life.
Step 2 — drag the print to where it would hang, and change size or frame above to compare.
Japanese Woodblock Prints
Cranes and Waves, c. 1833
Nami ni tsuru — Utagawa Hiroshige, pillar print (hashira-e)
From the Library of Congress, Prints & Photographs Division, Japanese prints collection · 1833
$129Charged in USD at checkout; local currency shown for reference.
Source scan:LOC (Prints & Photographs Division, Japanese prints). Rights statement of the archive: “No known restrictions on publication. Ukiyo-e print by an artist who died before 1930; the impression itself was published before 1930 — public domain in the United States, Japan and the EU.” Original print: Utagawa Hiroshige, 1833, 1 print : woodcut, color ; 37.4 x 16.5 cm.. Verified 2026-09-13.
This product is a new archival print made from a restored scan of that print. It is not an original antique and is not sold as one.
The story of this print
Alongside the landscapes Hiroshige designed hundreds of bird-and-flower prints, and the tall pillar prints among them are the ones that suit a modern wall best: made to hang on the wooden posts of a Japanese room, they are narrow, vertical and drawn to be read from a distance. This one shows two red-crowned cranes, the birds of long life, above a breaking wave — one standing on a rock in profile, the other with its wings thrown up — with a poem cut into the sky above them.
The Library of Congress impression is early, its greys and blues soft; we have kept the paper’s tone and restored the line without redrawing. The 1:2 proportion is offered at our 12×24 size, where it fits.
Printed to order on archival matte paper, framed in the country of delivery.
Before and after
Left: the archive scan exactly as published. Right: the file that goes to the printer.
Restoration notes
Restoration: trimmed the mount and scanner margins, balanced levels while keeping the paper tone and the flat colour blocks of the woodblock impression (85% of the original colour retained), removed dust and specks, applied gentle sharpening. Toning, wormholes, the printer's registration and the collector's seals are kept where they belong to the object; nothing is redrawn.
Every print carries its archive credit on the packing slip. Paper tone and small imperfections of the original are kept on purpose; nothing is redrawn.
Pairs well with
Hang them together — 10% off the second framed print
Informational purposes only, no warranties, not professional advice. All products are new archival prints made from restored scans of historical maps held by public archives; they are not original antiques. Colours vary by screen and by paper.
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