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Japanese Woodblock Prints

Cranes and Waves, c. 1833

Nami ni tsuru — Utagawa Hiroshige, pillar print (hashira-e)

From the Library of Congress, Prints & Photographs Division, Japanese prints collection · 1833

$129
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  • Printed to order in the country of delivery · ships in 2–4 days
  • Free US shipping over $75
  • 30-day free replacement if it arrives damaged or wrong
  • Archival matte paper, pigment inks; framed prints ship ready to hang
  • Framed: solid wood, 0.8 in wide · white mat, 2 in · clear acrylic front · D-ring and wire fitted
Rights & provenance record

Source scan: LOC (Prints & Photographs Division, Japanese prints).
Rights statement of the archive: “No known restrictions on publication. Ukiyo-e print by an artist who died before 1930; the impression itself was published before 1930 — public domain in the United States, Japan and the EU.”
Original print: Utagawa Hiroshige, 1833, 1 print : woodcut, color ; 37.4 x 16.5 cm.. Verified 2026-09-13.

This product is a new archival print made from a restored scan of that print. It is not an original antique and is not sold as one.

The story of this print

Alongside the landscapes Hiroshige designed hundreds of bird-and-flower prints, and the tall pillar prints among them are the ones that suit a modern wall best: made to hang on the wooden posts of a Japanese room, they are narrow, vertical and drawn to be read from a distance. This one shows two red-crowned cranes, the birds of long life, above a breaking wave — one standing on a rock in profile, the other with its wings thrown up — with a poem cut into the sky above them.

The Library of Congress impression is early, its greys and blues soft; we have kept the paper’s tone and restored the line without redrawing. The 1:2 proportion is offered at our 12×24 size, where it fits.

Printed to order on archival matte paper, framed in the country of delivery.

Before and after

Left: the archive scan exactly as published. Right: the file that goes to the printer.

Cranes and Waves, 1833: archive scan compared with the restored print

Restoration notes

Restoration: trimmed the mount and scanner margins, balanced levels while keeping the paper tone and the flat colour blocks of the woodblock impression (85% of the original colour retained), removed dust and specks, applied gentle sharpening. Toning, wormholes, the printer's registration and the collector's seals are kept where they belong to the object; nothing is redrawn.

Every print carries its archive credit on the packing slip. Paper tone and small imperfections of the original are kept on purpose; nothing is redrawn.

Pairs well with

Hang them together — 10% off the second framed print

The discount is applied automatically at checkout when two or more framed prints are in the cart.

More from this collection

Cranes and Waves, 1833 — drag to pan, scroll or pinch to zoom
Size guide
5′6″ 12×16 in18×24 in24×36 in
SizeMetricBest for
12×24 in30×61 cmDesk, shelf, small wall, gallery groupings
18×36 in46×91 cmAbove a desk or console, hallway, bedroom

Sizes are the print size. Framed prints add about 1 in on each side. Sizes marked “aged-paper margin” keep the whole print and float it on a toned margin — nothing is cropped.

Informational purposes only, no warranties, not professional advice. All products are new archival prints made from restored scans of historical maps held by public archives; they are not original antiques. Colours vary by screen and by paper.