Scenes are drawn to scale: the sofa is 84 in wide, the desk 60 in, the door 80 in tall. Switch sizes above to compare.
Step 1 — set the scale. Drag the slider until the gold bar on the photo is the height of a standard doorway (80 in / 203 cm). Every size you pick is then drawn true to life.
Step 2 — drag the print to where it would hang, and change size or frame above to compare.
Framed Nautical Charts
Imray Chart of the Coast from Boston to Savannah, 1851
James Imray & John Addison, London — a hand-coloured blue-back chart with seven harbour insets
From the Boston Public Library, Norman B. Leventhal Map & Education Center · 1851
$129Charged in USD at checkout; local currency shown for reference.
Source scan:BPL Leventhal (Digital Commonwealth). Rights statement of the archive: “No known copyright restrictions. No known restrictions on use.” Original map: James Imray / John Addison, 1851, 1 map : hand colored ; 89 x 118 cm; Scale approximately 1:900,000. Verified 2026-09-14.
This product is a new archival print made from a restored scan of that map. It is not an original antique and is not sold as one.
The story of this map
Before the Coast Survey’s sheets reached the merchant fleet, captains bought their charts from private publishers, and none was bigger than James Imray of the Minories in London. His blue-backs — so called for the blue paper glued to the back to survive a voyage — covered the trade routes of the world, and this one, drawn with John Addison in 1851, covers the American coast from Boston to Savannah in a single hand-coloured sheet, north to the upper right in the old manner, with the Gulf Stream, the soundings and seven insets of the harbours a ship might make for.
The insets are what make it a wall piece: the Chesapeake, Charleston, Port Royal, the Savannah River entrance, St. Mary’s, Nassau River and St. Augustine, each drawn at a larger scale in the corners and margins. The colouring is the chart-seller’s — a wash of yellow along the shore, blue on the water — and it has aged to a warm tone that restoration has kept.
The Leventhal Map Center’s scan is 16,000 pixels wide, so the print holds every sounding at 24×32 in. A chart for a whole coast, and a companion to the Chesapeake and Charleston sheets of the following decade.
Before and after
Left: the archive scan exactly as published. Right: the file that goes to the printer.
Restoration notes
Restoration: trimmed the scanner margins, balanced levels while keeping the paper tone (65% of the original colour retained), removed dust and specks, applied gentle sharpening. Stamps, tipped-on notices and the wear of a used chart are kept where they belong to the object; nothing is redrawn.
Every print carries its archive credit on the packing slip. Paper tone and small imperfections of the original are kept on purpose; nothing is redrawn.
Pairs well with
Hang them together — 10% off the second framed print
Informational purposes only, no warranties, not professional advice. All products are new archival prints made from restored scans of historical maps held by public archives; they are not original antiques. Colours vary by screen and by paper.
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