Scenes are drawn to scale: the sofa is 84 in wide, the desk 60 in, the door 80 in tall. Switch sizes above to compare.
Step 1 — set the scale. Drag the slider until the gold bar on the photo is the height of a standard doorway (80 in / 203 cm). Every size you pick is then drawn true to life.
Step 2 — drag the print to where it would hang, and change size or frame above to compare.
Japanese Woodblock Prints
Night View of Saruwaka-machi, 1856
Saruwaka-machi yoru no kei, from One Hundred Famous Views of Edo — Utagawa Hiroshige
From the Library of Congress, Prints & Photographs Division, Japanese prints collection · 1856
$119Charged in USD at checkout; local currency shown for reference.
Source scan:LOC (Prints & Photographs Division, Japanese prints). Rights statement of the archive: “No known restrictions on publication. Ukiyo-e print by an artist who died before 1930; the impression itself was published before 1930 — public domain in the United States, Japan and the EU.” Original print: Utagawa Hiroshige, 1856, 1 print : woodcut, color ; 33.8 x 21.8 cm.. Verified 2026-09-13.
This product is a new archival print made from a restored scan of that print. It is not an original antique and is not sold as one.
The story of this print
In 1842 the shogunate moved all of Edo’s kabuki theatres to one street on the northern edge of the city, Saruwaka-machi, and Hiroshige’s night view of it is the most cinematic sheet in One Hundred Famous Views of Edo. The theatres line both sides of the road with their drum towers and lantern signs; a full moon stands in a graded blue sky; and the last of the audience walk home along the street, their shadows thrown long and blue across the moonlit ground toward the viewer. It is the only print in the series in which shadows are drawn at all — a Western idea, used once, perfectly.
The Library of Congress impression is early, with the bokashi gradation of the night sky intact. Restored from the archive’s scan without redrawing; the scan is a little smaller than most in the set, so the print is offered at 12×18, 16×24 and 20×30.
Printed to order on archival matte paper or canvas, framed in the country of delivery.
Before and after
Left: the archive scan exactly as published. Right: the file that goes to the printer.
Restoration notes
Restoration: trimmed the mount and scanner margins, balanced levels while keeping the paper tone and the flat colour blocks of the woodblock impression (85% of the original colour retained), removed dust and specks, applied gentle sharpening. Toning, wormholes, the printer's registration and the collector's seals are kept where they belong to the object; nothing is redrawn.
Every print carries its archive credit on the packing slip. Paper tone and small imperfections of the original are kept on purpose; nothing is redrawn.
Pairs well with
Hang them together — 10% off the second framed print
Informational purposes only, no warranties, not professional advice. All products are new archival prints made from restored scans of historical maps held by public archives; they are not original antiques. Colours vary by screen and by paper.
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