Scenes are drawn to scale: the sofa is 84 in wide, the desk 60 in, the door 80 in tall. Switch sizes above to compare.
Step 1 — set the scale. Drag the slider until the gold bar on the photo is the height of a standard doorway (80 in / 203 cm). Every size you pick is then drawn true to life.
Step 2 — drag the print to where it would hang, and change size or frame above to compare.
Japanese Woodblock Prints
Peonies and Butterfly, c. 1833
Shakuyaku kanaari, from the Large Flowers series — Katsushika Hokusai
From the Library of Congress, Prints & Photographs Division, Japanese prints collection · 1833
$119Charged in USD at checkout; local currency shown for reference.
Source scan:LOC (Prints & Photographs Division, Japanese prints). Rights statement of the archive: “No known restrictions on publication. Ukiyo-e print by an artist who died before 1930; the impression itself was published before 1930 — public domain in the United States, Japan and the EU.” Original print: Katsushika Hokusai, 1833, 1 print : woodcut, color ; 19.2 x 17.4 cm.. Verified 2026-09-13.
This product is a new archival print made from a restored scan of that print. It is not an original antique and is not sold as one.
The story of this print
Between the Fuji series and his late work Hokusai designed a set of ten large flower prints, and this is the one collectors want: three peonies, the flower of wealth and early summer, caught in a gust of wind that bends the stems to the right and blows a butterfly past them. The flowers are printed in graded pinks with dark green leaves against a plain ground; nothing else is in the picture. It is the ancestor of every botanical print on a modern wall.
The Library of Congress impression is the Large Flowers oban of about 1833, close to square, which is why it is offered at our 20×20 size where it fits exactly. The paper has toned and the pinks have softened, and we have kept both, cleaning dust and restoring the line without redrawing.
Printed to order on archival matte paper, framed in the country of delivery.
Before and after
Left: the archive scan exactly as published. Right: the file that goes to the printer.
Restoration notes
Restoration: trimmed the mount and scanner margins, balanced levels while keeping the paper tone and the flat colour blocks of the woodblock impression (85% of the original colour retained), removed dust and specks, applied gentle sharpening. Toning, wormholes, the printer's registration and the collector's seals are kept where they belong to the object; nothing is redrawn.
Every print carries its archive credit on the packing slip. Paper tone and small imperfections of the original are kept on purpose; nothing is redrawn.
Pairs well with
Hang them together — 10% off the second framed print
Informational purposes only, no warranties, not professional advice. All products are new archival prints made from restored scans of historical maps held by public archives; they are not original antiques. Colours vary by screen and by paper.
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