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Japanese Woodblock Prints

Peonies and Butterfly, c. 1833

Shakuyaku kanaari, from the Large Flowers series — Katsushika Hokusai

From the Library of Congress, Prints & Photographs Division, Japanese prints collection · 1833

$119
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  • Printed to order in the country of delivery · ships in 2–4 days
  • Free US shipping over $75
  • 30-day free replacement if it arrives damaged or wrong
  • Archival matte paper, pigment inks; framed prints ship ready to hang
  • Framed: solid wood, 0.8 in wide · white mat, 2 in · clear acrylic front · D-ring and wire fitted
Rights & provenance record

Source scan: LOC (Prints & Photographs Division, Japanese prints).
Rights statement of the archive: “No known restrictions on publication. Ukiyo-e print by an artist who died before 1930; the impression itself was published before 1930 — public domain in the United States, Japan and the EU.”
Original print: Katsushika Hokusai, 1833, 1 print : woodcut, color ; 19.2 x 17.4 cm.. Verified 2026-09-13.

This product is a new archival print made from a restored scan of that print. It is not an original antique and is not sold as one.

The story of this print

Between the Fuji series and his late work Hokusai designed a set of ten large flower prints, and this is the one collectors want: three peonies, the flower of wealth and early summer, caught in a gust of wind that bends the stems to the right and blows a butterfly past them. The flowers are printed in graded pinks with dark green leaves against a plain ground; nothing else is in the picture. It is the ancestor of every botanical print on a modern wall.

The Library of Congress impression is the Large Flowers oban of about 1833, close to square, which is why it is offered at our 20×20 size where it fits exactly. The paper has toned and the pinks have softened, and we have kept both, cleaning dust and restoring the line without redrawing.

Printed to order on archival matte paper, framed in the country of delivery.

Before and after

Left: the archive scan exactly as published. Right: the file that goes to the printer.

Peonies and Butterfly, 1833: archive scan compared with the restored print

Restoration notes

Restoration: trimmed the mount and scanner margins, balanced levels while keeping the paper tone and the flat colour blocks of the woodblock impression (85% of the original colour retained), removed dust and specks, applied gentle sharpening. Toning, wormholes, the printer's registration and the collector's seals are kept where they belong to the object; nothing is redrawn.

Every print carries its archive credit on the packing slip. Paper tone and small imperfections of the original are kept on purpose; nothing is redrawn.

Pairs well with

Hang them together — 10% off the second framed print

The discount is applied automatically at checkout when two or more framed prints are in the cart.

More from this collection

Peonies and Butterfly, 1833 — drag to pan, scroll or pinch to zoom
Size guide
5′6″ 12×16 in18×24 in24×36 in
SizeMetricBest for
20×20 in51×51 cmOver a sofa or bed, statement wall, office

Sizes are the print size. Framed prints add about 1 in on each side. Sizes marked “aged-paper margin” keep the whole print and float it on a toned margin — nothing is cropped.

Informational purposes only, no warranties, not professional advice. All products are new archival prints made from restored scans of historical maps held by public archives; they are not original antiques. Colours vary by screen and by paper.