Scenes are drawn to scale: the sofa is 84 in wide, the desk 60 in, the door 80 in tall. Switch sizes above to compare.
Step 1 — set the scale. Drag the slider until the gold bar on the photo is the height of a standard doorway (80 in / 203 cm). Every size you pick is then drawn true to life.
Step 2 — drag the print to where it would hang, and change size or frame above to compare.
Japanese Woodblock Prints
Umezawa in Sagami Province, c. 1832
Sōshū Umezawa zai, from Thirty-six Views of Mount Fuji — Katsushika Hokusai
From the Library of Congress, Prints & Photographs Division, Japanese prints collection · 1832
$129Charged in USD at checkout; local currency shown for reference.
Source scan:LOC (Prints & Photographs Division, Japanese prints). Rights statement of the archive: “No known restrictions on publication. Ukiyo-e print by an artist who died before 1930; the impression itself was published before 1930 — public domain in the United States, Japan and the EU.” Original print: Katsushika Hokusai, 1832, 1 print : woodcut, color ; 25.2 x 37.3 cm.. Verified 2026-09-13.
This product is a new archival print made from a restored scan of that print. It is not an original antique and is not sold as one.
The story of this print
Umezawa was a marsh on the Sagami coast where cranes gathered, and Hokusai’s print of it is one of the two or three sheets in Thirty-six Views of Mount Fuji printed almost entirely in blue: the hills, the water, the mountain itself are all Prussian blue in different strengths, with the summit and the birds’ bodies left as paper. It is a dawn picture. Five cranes are on the ground among the reeds and two have just taken off, their long necks stretched toward the peak.
Cranes are the birds of long life in Japanese art, which made this the sheet people gave as a gift, and it still is. The Library of Congress holds an early impression with the blues well graded; we have kept its warm tone and cleaned it without redrawing anything.
The 2:3 sheet fits our 12×18, 16×24, 20×30 and 24×36 sizes almost exactly.
Printed to order on archival matte paper or canvas, framed in the country of delivery.
Before and after
Left: the archive scan exactly as published. Right: the file that goes to the printer.
Restoration notes
Restoration: trimmed the mount and scanner margins, balanced levels while keeping the paper tone and the flat colour blocks of the woodblock impression (85% of the original colour retained), removed dust and specks, applied gentle sharpening. Toning, wormholes, the printer's registration and the collector's seals are kept where they belong to the object; nothing is redrawn.
Every print carries its archive credit on the packing slip. Paper tone and small imperfections of the original are kept on purpose; nothing is redrawn.
Pairs well with
Hang them together — 10% off the second framed print
Informational purposes only, no warranties, not professional advice. All products are new archival prints made from restored scans of historical maps held by public archives; they are not original antiques. Colours vary by screen and by paper.
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